
Welcome
here are the mandatory units listed below with specific artifacts.
YouTube channel link https://www.youtube.com/channel/UCi3etgliWbrC5FK9WfLq0_g
Soundcloud link https://soundcloud.com/charlotte-ocarroll
Instagram link https://www.instagram.com/charlotteocarrollmusic/
Liver performance
artefact 1 - live performance evaluation
PMT Live Performance Evaluation Outcome 3 – Charlotte O’Carroll
Explanation of the sequencing of the set
During the first rehearsal in the band, we discovered that we liked two different genres of music style which suited us as a band well. These two genres were pop rock and funk.
We chose to start with our set with a more upbeat song, so we went with “one way or another” by blondie. We kept the original key and navigated our way through getting the song to fit our band style. We chose to start with this song to really captivate the audience. This is a song well known by everyone, this allowed us to really get the audience involved and to sing along and enjoy our set. We felt this worked really well and did start our set of nicely and allowed us to catch the audience's attention right off the bat. Both Amy and I sang different verses and chorus of the song. This allowed us to demonstrate our different singing abilities. We finished the song slightly different to the blondie version and added the one direction ending to it. During this the song's tempo slowed right done and changed completely. We sang this part together and finished with a quick ending of the line “one way or another” the drums joined the beat of this, and the ending was made sharp.
The second song in our set was “jessies girl” by Rick Springfield. This song was one of the hardest songs we chose. When the band were rehearsing this song, we found the tempo of the song tricky, however when performing it, it went better than expected. We again kept the original key of this song so when singing it both Amy and i sang in original key and went up a key during the verses but returned to original when singing the chorus. This song was performed alright however we did finish earlier than we had be practicing.
The third song we chose was “don’t speak” by Gwen Stefani. We chose to incorporate this song into the set and chose it to be the third song we do because it is more relaxed and not as upbeat compared to the first two songs. Overall, i feel this song went well. And amyl and I harmonies over each others verses. We started the song just me and guitar and built it up when we went into the chorus. The song had a long instrumental bit and this was done very well with the band and performed very well and done strongly.
The fourth song which we chose to add to the set was “my favorite game” by the cardigans. This song in my opinion vocally was performed the best. During rehearsals we struggled with the song key on the guitar and bass, during the last rehearsal before our performance we perfected it. However when it came to the actual performance it did not go as to planned and the guitar melody part went back to the key we had been getting wrong, therfore it sounded a bit off in the performance. Overall I feel like we could have done better in the instrumental part however it still went okay.
The final song which we chose to do was “love shack” by the B52’S. This song was by far our strongest performance. We chose this song as the final song to sing to go out with a bang. And it did just that. By ending on an upbeat song this again captured the audiences attention. This got the crowd involved when the dancing choreography of the male solo part which jay did happened, overall it finnished our set very strongly. We had actually chose this song first when trying to figure out which song would suit our band. This song was by far our strongest one we did. I also feel like the nerves of everyone had went away as we were the first band on so our nerves where there so by the end of the set we really relaxed and enjoyed it.
Live performance evaluation INDIVIDUALLY/GROUP PERSPECTIVE
Our set flowed well, which showed our energy and flowed nicely together. Our 20-minute set worked really well. This was easiest to achieve due to our strict rehearsal structure.
I think that I as a vocalist sang in time and reached the notes i needed to during the our set. I think overall my performance was solid, however i could have sang a bit better during the first two song, but due to my nerves i was not able to.
Overall, I feel our performance as a band came without major issues. In my favorite game we lost the ending and ended up cutting it short, i feel like this was due to the lack of confidence and nerves which all members of the band lacked in I believe this was mostly due to a limited of preparation before the gig for example, not warmed up, no rehearsal before the stage and or late attendance. This could be improved by more gigging experience as a band and getting used to the fast-paced setups.
Impact on the venue on the performance
Working with onstage monitors proved to be challenging for us. as there wasn’t much time to discuss with the sound engineer to adapt and fix the monitor mix for each person in the band. We felt this during the first couple songs as we couldn't hear each other that well, after the gig when we were all discussing it we found out that Lorna the drummer could not hear the vocalists whereas the vocalist couldn't hear the keyboard that.
artefact 2 - yotube link https://www.youtube.com/shorts/mc0MTXbi4PA
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Music business for musician
artefact 1 - cv
Charlotte Mairi O’Carroll
Glasgow and Western Isles areas
Email – charlotteocarroll88@gmail.com
Telephone - 07496019218
Professional profile
My name is Charlotte O’Carroll, I am currently studying at Riverside Music College in Busby. Riverside Music College has allowed me to work with other musicians much more. I have been in two bands from the start of the school year in august 2023, till may of 2024. In these bands I have been able to work on my harmonies and become better at singing and working with other people. This helped in making me produce fitting harmonies and helped me with covering many different euouaes of music that i typically would not have sung as someone who normally does music on my own. By being in the band it also gave me and the other members of the band the opportunity to perform live gigs, these gigs where both held at the classic grand in which we were instructed to come up with a set list and also a music playlist for the 20 minutes our bands where setting up in which had to match the vibes of our set list. Overall, by being put into bands i found it greatly beneficial as it not only made the variety of the music genres i sing much more broader but also but made me have much more experience in working with other singers, making it now much more easier to pick up and make harmonies.
Also, at Riverside the vocal coach for the singer helped me improve my range and belting ability for high notes. This again was helped tormentingly in making me a much more stronger singer. By having these lessons once, a week it improved my breathing control and helped me in sustaining the long notes in songs.
Prior to attending Riverside Music College I did a lot of gigs by myself or sang solo in choirs. During primary school i sang in our school choir for the mods, travelling to Uist and Stornoway entering in choirs and also solos. I also was given the opportunity to go to Glasgow with my secondary school and sang solo for the Celtic Connation's when representing the Isle of Barra in the Royal Concert Hall. When i lived in Barra i also got to sing for charity events and Ceilidh's. During these events i normally accompanied myself on the guitar and or was singing with a small band, which usauly included a keyboard fiddle and guitar. By having these skills prior to my time at riverside it helped a lot with my team work skills and when having to produce my own song for my creative project.
Education & qualifications
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Secondary School - Dates attended - August 2017 - May 2021
Higher Music - C
Higher History - C
Higher English - C
Placements and projects
mmm yyyy - mmm yyyy Project/placement
13th June 2022 – 17th June 2022 Nicholson Institute/Music department
In June 2022 with my school i was able to choose to go on placement at the Nicholson Insitute in Stornoway. This included me going into the secondary school, helping and getting experience in the world of music education. During the time I attended the school they were working on their end of year musical. A few of my responsibilities during my time there were; helping the younger choir in the musical go over their singing parts, helping the main character in the musical with her pitching of the songs, printing out schedules for all the people in the musical, and finally making the posters announcing all the information about the musical and hanging them around the school and local shops. During this placement i picked up many skills in helping other musicians with there singing abilities and also in managing my time to ensure i would get everything done. By transferring my skills i found it much more easier to do the weekly lesson plans and was able to directed easily what in which i needed the student to do.
By getting all the work i needed to in placement do, i returned to Stornoway a while later to watch the musical and everyone which i had worked with achieved the things i had helped them with individually. This proved that the work i did actually significantly helped with making the musical the best it could be.
May 4th 2024 Eilidh's trust ball
This charity was set up for young musicians in memory of Eilidh Macleod who was a young musician from Barra. This ball was held in the Doubled tree Hiton Glasgow.
In may this year i helped out at the with moving and helping set up the music kits for the gigs that would go on at the ball. This consisted with me helping move all the kits and amps from the van to the hall and leaving the right ones near the two different stages. This helped me have a much better understanding in setting up music and what goes on behind the scenes. Overall, this was very beneficial in helping me understand music much more.
Interests
Interests: i enjoy volunteering at the Eilidh's trust ball event every year, i enjoy playing football and also Highland dancing.
Reference
Name – Douglas McIntyre d.macintyre@riversidemusiccollege.ac.uk Lecturer
Katherine Macleod singing tutor -k.macleod@riversidemusiccollege.ac.uk
Relationship to you (Lecturer, tutor, line manager etc) – email address
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Artefact 2 - contract template from musicians union
T1 – Terms and Conditions for Private Teaching (under 18)
(for self-employed teachers)
These terms and conditions (hereinafter referred to as the Agreement) are made on and will continue until terminated in accordance with 1.4 below.
Between (the “Teacher”)
of who may be contacted on and
AND (hereinafter referred to as the “Guardian”)
of
who may be contacted on and
providing lessons for (the “Student”)
Whereby it is Agreed
1.1 The Teacher will provide lessons lasting minutes every
at
(hereinafter referred to as the “Premises”).
1.2 The Teacher will provide an agreed schedule of lessons detailing dates and times prior to lessons commencing. The dates and times of the lessons may be changed if both the Teacher and Guardian agree.
1.3 The fee per lesson is £ payable by means of either:
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in advance for a series of lessons – payable in full on receipt of an invoice from the Teacher. Late
payment may result in a delay to lessons starting;
-
at the end of each lesson,
c)
-
This Agreement shall continue until terminated by either Party giving to the other not less than notice in writing. The Guardian is requested to complete the Cancellation Form as set out below.
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The Teacher may from time to time review the agreed rate for tuition. The Teacher shall give the Guardian not less than weeks’ written notice of any increase in rates.
Cooling Off Period
2.1 The Guardian has a legal right to cancel this Agreement and receive a refund under the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations (2013) during the ‘cooling off period’ which starts from the date of this Agreement and ends 14 days later. To cancel the Agreement, the Guardian should let the Teacher know by email that he/she has decided to cancel. The Teacher will confirm receipt of this email and arrange a refund for lessons not received. Reimbursement will be made using the same means of payment for the initial transaction, unless agreed otherwise.
01/01/24
General
3.1 The Guardian is responsible for ensuring that the Student is available for the arranged lesson as confirmed by email between the Teacher and Guardian. Delays or interruptions (for which either the Guardian or Student is responsible) encroaching into this time will be considered as time provided.
3.2 If no notice to discontinue lessons has been served as above and the Student fails to attend an arranged lesson according to the Schedule provided by the Teacher (or as subsequently confirmed by email between the Teacher and Guardian), fees for that lesson remain payable and no refund of any fees paid in advance will be given.
3.3 Should a lesson be missed by the Teacher for whatever reason, the Teacher will either provide a replacement lesson at an agreed time or issue a credit note.
3.4 Extra lessons may be scheduled at any other time by mutual agreement and at a cost agreed between the Guardian and Teacher.
3.5 The Guardian and Student undertake not to make unlawful photocopies of music.
3.6 Examination entries, festivals, competitions or similar activities or events, will only be entered if the Guardian (in consultation with the Student) and Teacher agree. Any entry fees will be paid for by the Guardian. (See note 1 below)
3.7 The Guardian is responsible for informing the Teacher of any medical, health, or other such condition(s) which may affect the learning experience and interaction.
3.8 The Guardian and Teacher agree to comply with all applicable laws, statutes, regulations including in relation to confidentiality, privacy, and GDPR.
3.9 Neither party shall be liable to the other party for any breach by the other of any of the terms and conditions herein occasioned by pandemic, any act of God, war, revolution, riot, civil disturbance, strike, lock-out, flood, fire or other cause not reasonably within the control of such party.
Space and Equipment
4.1 The Teacher is not responsible for the loan of any equipment (e.g., instruments, computers, etc.) or materials (e.g., sheet music) unless agreed in advance.
4.2 Materials supplied electronically by the Teacher remain the Intellectual Property of the Teacher.
4.3 The Teacher is not liable for any technical faults, failures or damages of equipment used at the Guardian’s/Student’s premises or elsewhere for the purposes of receiving teaching and will not be required to make up any lost teaching time caused by such faults, failures or damages.
4.4 The Guardian is responsible for the insurance of the Student’s instrument and all equipment used by the Student.
Safeguarding
5.1 Lessons must not be recorded by either party unless there is a prior agreement for this. If recordings are made, they must not be shared with third parties or uploaded to social media (this includes videos and photographs).
5.2 All communications regarding missed or cancelled lessons must be between the Guardian and Teacher. Under no circumstances should the Student contact the Teacher directly or vice versa.
5.3 For the purposes of confidentiality and privacy, all communications between the Guardian and Teacher should be via email. Communication by telephone should only take place where necessary due to urgency, e.g., unavoidable last-minute cancellations.
5.4 Any defamatory, offensive or illegal material aired online and/or via social media by the Student or Guardian, or inappropriate behaviour by the Student or Guardian, will result in the immediate termination of lessons. What constitutes such behaviour will be determined in the reasonable opinion of the Teacher. In this instance, the Teacher reserves the right to withdraw entirely from this Agreement with immediate effect. Fees paid will not be refunded.
5.5 The Guardian may, if they wish, be present during the lesson if agreement is given by the Teacher.
5.6 The Teacher agrees to comply with the MU’s safeguarding advice in relation to instrumental music teaching. Information is available on the MU’s website.
5.7 The Teacher has a current DBS or Disclosure Scotland certificate.
Note 1: It is important to note that whilst a Teacher will use his or her best endeavours to ensure the Student makes satisfactory progress, this cannot be guaranteed. Careful regular practice as advised by the Teacher is a prerequisite of success on any musical instrument or in any musical endeavour.
Medical Emergencies
I agree that, in the event of a medical emergency, the Teacher is authorised to seek professional medical care.
I am aware that the NHS advises the following:
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Young people aged 16 or over are entitled to consent to their own treatment. This can be overruled in exceptional circumstances.
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Children under the age of 16 can consent to their own treatment if they are believed to have enough intelligence, competence and understanding to fully appreciate what’s involved in their treatment (known as being Gillick competent).
For further details, please refer to the NHS guide ‘Children and young people – consent to treatment’ at www.nhs.uk.
IMPORTANT INFORMATION
The Student has the following medical, health, or other such condition(s) and is currently receiving medication as itemised:
Medical Condition Treatment / Medication
The Student is allergic to the following:
Declaration
I hereby agree to the terms of this Agreement and authorise the Teacher named above to provide tuition to the Student until termination of this Agreement.
EMERGENCY CONTACT NUMBERS
In the event of an emergency, medical or otherwise, please contact:
Name
Contact Number
Relationship to Student
I understand the Teacher is not a first aider and I consent to the Teacher treating the Student in whatever way, mentally and physically that they consider common sense and in the best interests of the Student.
I also consent to the Student being treated by any medical professionals called by the Teacher.
Signed by Guardian Date
Name
Cancellation Form
TO
Address
Phone number
Music theory
artefact 1 - music theory quiz
artefact 2 - chord progression


first instrument study
artefact 1 - outcome 2 and 3
Music First Study: Instrument J01K 34
Outcome 3 - Programme note
Title of piece: zombie
Musical style:
Alternative Rock
Instrument:
Vocals
Composer / Performer:
The Cranberries
Evidence type (video/audio recording)
Video
Brief description of the piece.
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Structure - the start of the song is very slow and in p, then the song begins to get more and more louder creating a crescendo through the pre chorus, making the chorus of the song forte. The song then goes into a verse which is sang in the same melody and softness as the first verse, and the same crescendo building up the loudness and forte of the song into the pre chorus which goes stays strong and loud in the chorus. The song goes intro, pre chorus, chorus, verse, chorus, chorus lead out.
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Timbre – at the begging of the song i sang strongly but softly with an emotional tone to my voice. I think began the crescendo and started raising the loudness of my voice when going into the pre chorus, followed by me singing the loudest in the chorus, by singing with the emotional tone and strongly holding my voice it made it much easier for me to really be able to belt the higher notes which i usually would struggle with. By dropping the loudness and belting for the verse it created again that sense of emotionlness which overall made my performance of the song more captivating. This song really allowed me to show my vocal abilities in the range and dynamics sense.
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Theme – the reacouring thmes of the song are volience, war and the effect of the troubles on innocent peoples lives.t the musical side of the song involves large crescendos. Eary and dark feeling towards lyrics their are also a lot of dynamic changes, through the whole song. Political stance against the troubles in ireland
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Reason for selection of the piece- the reason i choose to select this song was because i felt it challenging for me to sing, the breath control i needed for this song was hard for me to perfect especially in the chorus when belting the high notes. I also enjoy listening to the song and find it a very important part of the history on the Irish troubles.
Key features of piece.
-crescendo
- ascending and descending scales
- guitar and vocal cover
-rock turned into a acoustic balled
-walking pace tempo
Evaluation of own performance
Overall i feel my performance was very good. I had good breath control and was able to hold the high notes. I sang them loudly and clearly. I kept my dynamics clearly, and was able to change from extreme belting of the song to quiet soft singing. i was able to sing the song emotionally and felt i did the song gustice.
Title of piece: rare old times
Musical style:
traditional Irish folk
Instrument:
Vocals
Composer / Performer:
Pete St. John /Luke Kelly
Evidence type (video/audio recording)
Video
Brief description of the piece.
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Structure - the song has a clear traditional folk song tructure with distinguishable sections, verse 1, chorus, verse 3, verse 4, chorus, verse 5, chorus, verse 6 and chorus outro. The repition of the meoldy is kept the same the whole way through the song.
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Timbre - The dynamic ranges from soft to loud. All verses have crescendos in them, the chorus goes into f. the tones stay consitian and rich throughout the whole song.
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Theme – the song has themes of sadness and desperation of how the city of Dublin is changing
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Reason for selection of the piece- i chose to sing this song as i grew up singing traditional Irish and Scottish music as I'm half Irish and Scottish. These types of songs have been a huge part of my musical upbringing and were the reason why i started singing. I feel the song style suits my voice and the range of the song still challenges me. I feel like it shows who i am as a singer and helps me show my vocal ability.
Key features of piece.
-rich bright tone
- exposed vocals
-sustained notes
-slow pase tempo
Evaluation of own performance
Overall i feel my performance was well. I was able to keep the pase of the song well and was able to reach them higher sort of notes. This made my performance strong and again more captivating as it is a song that tells a story. I feel like the dynamic part of the song was done well however i could have changed to the softer parts better.
Title of piece: something in the orange
Musical style:
country
Instrument:
Vocals
Composer / Performer:
Zach Bryan
Evidence type (video/audio recording)
Video
Brief description of the piece.
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Structure - the song has the structure verse, verse, chorus, verse, chorus. The tempo in the song slighly shifts as well as the melody.
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Timbre – when singing the song i sang it in a rich country style and sang it emotionally as it is a song about heartbreak and the journey of hating and loving a person at the same time.
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Theme – although the song is inspired by a sunset, which shows the reflection of what time can do, the song is about a longing love for somebody and what heartache feels like
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Reason for selection of the piece- the reason i chose to sing this song was because i wanted to push myself out of my comfort zone. I don't sing country songs and found it challenging as it is somewhat different to the type of songs i usually sing. I felt the pase and style enjoyable to sing and feel like i will definitely sing a song like this again
Key features of piece.
-changing tempos
- belting
- Ascending and descending scales
Evaluation of own performance
Overall i feel my performance went well. However i feel i could have leaned more into the country singing style and made it appear more country. However with my vocal ability in this song, i feel was done well, and i was able to hit the notes and keep my breath control okay.
artefact 2 - youtube link to one of the songs i performed